The
LIFELINE project evolved
from one of Amore's earlier exhibits, "Opening Windows
in Time," which opened at the Lower East Side Tenement
Museum in September 1998. Creating that exhibit inspired
her to embrace the larger immigration experience. The
inspiration for "Opening Windows in Time" came about when
Amore visited the Tenement Museum for the first time and
workers were removing the arched tin that had shuttered
the windows of the third floor since 1935. As she put
it, "They seemed like the 'eyelids' of the tenement, guarding
the secrets within." She asked if she could recycle them
into art, and they became the backdrops for each triptych.

Baldizzi Triptych
Most
of the photos and oral histories that Amore uses in these
sculptures are from the archives of the Museum. Before
becoming a museum, this tenement was once home to many
families, among them, the Gumpertz, Rogarshevsky, Confino
and Baldizzi families.
This
exhibit is dedicated to Concetta De Iorio, Amore's maternal
grandmother. It is because of her collections of objects,
from the everyday to the sacred, that this work exists.
Many are included in these pieces.
The
triptychs and panels are a tribute to "ordinary " lives
lived with perseverance, faith and courage. Amore views
each one as one strand in the ever-expanding net of human
history. There are often as many as six generations represented
in each piece. The human story is revealed in all its
strength and frailty. The exhibit as a celebration of
the ties which bind us all together.